Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest female musician at the time, with a net worth of $1.7 billion. Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé. She credits that song with sparking her passion for music and partly attributes her presence in the industry to Houston. She also mentioned that one of the earliest songs she developed an affection for was Houston’s rendition of “I Will Always Love You” (1992). As a child, she sang Whitney Houston songs and “A Whole New World” (1992) into her hairbrush so frequently that her neighbors started calling her “Robyn Redbreast”. She deemed him one of her all-time favourite artists, crediting him with “paving the way for every other artist out of the Caribbean”.
Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
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Her most conceptual album to date, Midnights charts 13 sleepless nights and explores five themes, from self-hatred and revenge to “what if” fantasies, falling in love, and falling apart. Sonically, evermore is a slight departure from its sister record; where folklore relies on more alt-leaning and indie-tinged sounds, evermore takes the sonics from all of Swift’s past records — from pop to country to indie rock — and features all of them on one album. Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles. Swift described reputation as a bait-and-switch; at their core, the songs are about finding love in the darkest moments.
- Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé.
- (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”)
- She told Winfrey that Brown may have been the love of her life and she has developed “a very close friendship” with him.
- The lead single, “Work”, topped the US Billboard Hot 100 chart, with the third and fourth singles, “Needed Me” and “Love on the Brain”, peaking within the top ten.
- The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook.
Only eight months later, in August 2005, she released her first single, “Pon de Replay,” a reggae-influenced club track that reached No. 2 on the Billboard singles chart and announced Rihanna as the next up-and-coming pop star. Rihanna soon followed with the album A Girl Like Me (2006), featuring the up-tempo club-oriented “S.O.S.” The song, which was built around a sample of Soft Cell’s 1981 new-wave hit “Tainted Love,” became Rihanna’s first to top the Billboard singles chart. Rihanna has fourteen number-one singles on the US Billboard Hot 100 chart, placing her third for the most chart-topping songs in its history. The songs “Man Down”, “California King Bed”, and “Cheers (Drink to That)” were released as singles from Loud in 2011. The project yielded a string of successful songs, including the US number-one singles “Umbrella”, “Take a Bow”, and “Disturbia”.
The Western-themed “Desperado” lends itself particularly well to covers by country artists, while the Dido-sampling “Never Ending” conveys the uncertainty she feels about entering a new relationship. Subsequently, Rihanna held the No. 1 spots on the Billboard 200 and Hot 100 simultaneously, her second time achieving such an impressive feat. But the dancehall masterpiece is one of a kind for Rih’s refusal to water down the Jamaican patois (different from her native language of Bajan Creole) — proving that she is fully aware of her impact as one of the biggest Caribbean-born artists to make it in the U.S. ANTI lives up to its name in its first 40 seconds, via opening track “Consideration.” The minute she declares, “I got to do things my own way, darling,” it’s apparent that ANTI is not your average Rihanna album. But that shift began with 2015’s criminally underrated “American Oxygen.” Her most political statement at the time, the goosebump-inducing lyrics detail Rihanna’s journey as an immigrant, foreshadowing her then soon-to-be massive Fenty Beauty success.
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
- “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun.
- Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond.
- She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
- As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.
- In July 2015, the Recording Industry Association of America (RIAA) announced that Rihanna had surpassed 100 million gold and platinum song certifications.
- Writing reputation became a lifeline following the events that catalyzed it — a way to shed the so-called snakeskin and make peace with however the public wanted to view her.
Eminem feat. Rihanna — “The Monster”
Jess Cartner-Morley of The Guardian called her wardrobe “the most talked-about, influential and dissected in pop”, stating that whatever she wears is quickly reproduced in mainstream fashion. Rihanna has credited her mother as the earliest inspiration for her love of fashion, recalling how she admired her getting dressed as a child. With the release of her third album Good Girl Gone Bad (2007), Rihanna abandoned her innocent image in favour of a sharper, edgier style. Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media. Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007). InStyle’s George Epaminondas described Rihanna’s videos as cinematic and highlighted their island rhythms, pop sensibilities, and playful sensuality.
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On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
Acting Career and Appearances
Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
In the United States, it is currently more popular than Come and See but less popular than Shutter. The movie has moved up the charts by 179 places since yesterday. The pair meet and fall in love on the Titanic, the greatest ship to sail the oceans. Rose is a high-society young woman who is being betista casino forced into a loveless marriage with a wealthy man.
Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry “Can’t Remember to Forget You” duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
Following the success with folklore and evermore, Swift’s intrigue was at a then-all-time high upon the release of Midnights. Although the album is a departure from the two pandemic sister albums, the overall creation process didn’t differ too much. On Midnights, Swift leaves behind indie folk sounds and returns to the pop production of 1989 and Lover. After coming out of the folklorian woods following folklore and evermore, fans and critics alike were intrigued to see what direction Swift would take on her next studio album. Even so, its poetic lyricism and mystical storytelling cleverly foreshadowed what was to come with subsequent albums, particularly The Tortured Poets Department.
Janelle Monáe featured Nancy not once but twice on 2023’s Album Of The Year-nominated The Age Of Pleasure, and sampled “Bam Bam” on “Water Slide.” In further recognition of her impact, Burberry asked Sister Nancy to participate in their spring/summer 2024 campaign, which was shot in Jamaica. She’s performed on global stages and can be seen regularly at New York hotspots such as Union Pool, Public Records, and S.O.B.’s. After hearing Nancy on Hot 97’s “Ebro In The Morning,” Jay-Z flew the legend to Jamaica to sing and feature in his hybrid music video-documentary. Kanye West prominently sampled “Bam Bam” in the Rihanna-featuring “Famous”; Nancy’s chorus comes in midway through the song, adding an ethereal quality to West’s braggadocio. With her rights restored, Sister Nancy’s trajectory changed dramatically in the latter half of the 2010s — due in no small part to nods and samples from two of hip-hop’s biggest artists. “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
Looking at Lover retrospectively, it’s an album that almost symbolizes a bookend in her discography. Writing reputation became a lifeline following the events that catalyzed it — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989. Even after Swift spent some time away from the spotlight, the public didn’t immediately gravitate toward her return.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.
Swift felt a “quiet conclusion” after finishing up evermore, describing that it was more about grappling with endings of all “sizes and shapes,” and the record represented a chapter closing. “Closure” is a “skittering” track that has the same energy as tracks like Lover’s “I Forgot That You Existed,” whereas the ballad “champagne problems” is thematically reminiscent of Swift’s Speak Now track “Back To December” where she takes responsibility for her lover’s heartache. Folklore’s impact on the zeitgeist at a time where everyone was stuck at home helped shape people’s quarantine experience. She worked remotely with two producers — again working with her right-hand man Jack Antonoff, and first-time collaborator Aaron Dessner from The National.
And on Aug. 13, she opened up about the concept and creation of the record on her now-fiancé Travis Kelce’s podcast, “New Heights.” To help explain this chapter of her life, Swift brings together a myriad of collaborators — from Stevie Nicks as fellow poetess, to duets with Florence Welch and Post Malone — and leans on real and fictional characters, like Clara Bow, Peter Pan (“Peter”), and Patti Smith. It pokes fun at so-called fans who overstep with her personal life (“But Daddy I Love Him”), says goodbye to a city that gave her a home (“So Long London”), and muses on how her own celebrity has stunted her growth (“Who’s Afraid Of Little Old Me?”). As a result, there had arguably never been more excitement for a Taylor Swift album than for The Tortured Poets Department — especially because the announcement came on the heels of her lucky 13th GRAMMY win in February.